The writers obliged, letting the actor shape the emotional rhythm of scenes that could’ve easily been swallowed by stylized excess. As a pure high-school drama Bet probably wouldn’t work that well, but the gambling games add a lot of surprising tension and excitement because they’re clearly designed as narrative devices. But the human drama mostly works, largely thanks to the cast being so up for it.
We are also dedicated to facilitating Uganda’s legal and economic growth by providing strategic guidance to businesses and organizations across diverse industries. What else has Ryan Sutherland been in? Sutherland previously starred in Four Singles, a film about four men coping with loneliness, loss of love and social isolation. Ryan Sutherland is an actor known for playing Suki in Bet. What else has Aviva Mongillo been in? She is best known for her role as Alya Kendrick in the drama series Backstage and Juniper in Workin’ Moms.
Ryan begins the series as a believer in the school’s ruthless hierarchy, but that loyalty fades fast — especially when he finds himself aligning with Yumiko. While Ryan is inspired by Ryota Suzui from the Kakegurui manga, Ayo made a conscious effort to build a version of the character that stood on its own. Interestingly, Ayo didn’t even know what he was auditioning for at first. Like many of his castmates, his audition script used a placeholder name — “Harry” instead of Ryan — to conceal the true identity of the project.
Now pivot to Tales from the Hood 3, which lands somewhere between anthology experimentation and straight-up genre pastiche. Solanke leans into the unsettling tone here, not with overacting but with a kind of quiet dread. Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time. It’s not the gore that makes them effective—it’s his unwillingness to act like he’s in a horror movie at all.
The indie studio has a reputation for picking actors who don’t need to shout to be heard. And Ayo Solanke’s role in A24’s Altar seems positioned to pivot him from emerging talent to serious contender—without the usual award-season desperation. Unlike the curated grids of celebrities holding lattes or fake-laughing with influencers, Ayo Solanke’s Instagram feels like it was built by a human with taste and a sense of humor. Scroll far enough and you’ll find saxophone clips recorded in grainy rehearsal rooms, obscure film recommendations, and behind-the-scenes shots that aren’t drenched in filters. He posts like someone who doesn’t need validation, which—ironically—makes him more worth following.
Just a visual puzzle with enough thematic weight to demand more than one watch. Solanke’s dip into horror didn’t come with the glossy prestige of a Sundance darling or the PR sheen of a studio reboot. Instead, he picked roles that could’ve easily sunk under cliché—and decided to mess with them from the inside. The ensemble cast of Bet reads like an anime convention after three Red Bulls, but Solanke’s chemistry with Miku Martineau’s Yumeko is grounded, tense, and human. He’s said in interviews that their dynamic was “built off eye contact more than script cues,” and that tracks.
The 10 part thriller stars Miku Martineau, Ayo Solanke, and Eve Edwards. Analytics Insight is an award-winning tech news publication that delivers in-depth insights into the major technology trends that impact the markets. The content produced on this website is for educational purposes only and does not constitute investment advice or recommendation. Always conduct your own research or check with certified experts before investing, and be prepared for potential losses. Opinions expressed herein are those of the authors and not necessarily those of Analytics Insight, or any of its affiliates, officers or directors.
If the first episode is any indication, episodes will consist of one face-off after another, characters giving sneering and sniveling speeches, and lots of expositional dialogue of the type that weighed down the first episode. Last year, Netflix quietly revealed that it was diving into the anime and manga world of Kakegurui – Compulsive Gambler with a live-action adaptation that’d be helmed by the same showrunner as Netflix’s ill-fated Warrior Nun. The streamer has now confirmed that the new series will stream on May 15th globally and revealed four first looks. The supporting cast do their jobs, too. These are all likeable and engaging characters who create an interesting ensemble thanks to their varied personalities, circumstances, and motivations. There’s something almost too fitting about Solanke joining an A24 film.
That instinct now shows up everywhere from his sax solos to his slow-burn monologues on screen. Bold & Beautiful shows beauty, intelligence, lifestyles, successes, achievements, and remarkable feats that characterize Nigerians and Africans. Ayo hasn’t parked his ambition at acting. He’s developing a short film, Island, and aiming to direct and write his own stories.
Bet has performed well in terms of ratings since its inception. According to Netflix, the series had recorded 2.4 million views internationally in 7 days and 13.7 million hours of watching, ranking ninth globally in the meantime. It has managed to stay in the top 10 in 32 countries, despite hardly any marketing efforts. Kasey Moore is the founder and editor-in-chief of What’s on Netflix, the leading independent resource covering Netflix with over a decade of hands-on experience tracking Netflix’s new releases, removals, and breaking news. His reporting and data insights have been featured in leading publications including Variety, THR, Bloomberg, and Business Insider.
The students gamble with the stipends their parents give them; anyone who falls into the red, “below the line” becomes a “housepet” to the person they owe money to. Having said all this the character drama is still very much present. These are fairly outlandish ideas to transplant into the more relatable real-world setting that the live-action treatment creates, which is probably the show’s biggest problem. It’s odd https://ayobet.id/ and can be a little jarring. It’s a show that takes some fairly big swings and not all of it works, but I mostly loved it and I suspect most people who aren’t worried about the accuracy of the costumes will too.
The new series has been developed by Simon Barry, who worked on seasons 1 and 2 of the fantasy adaptation series Warrior Nun, and will be directed by Jacquie Gould, Craig Wallace, and Joyce Wong for this season, set to consist of 10 episodes. As the owner of the biggest betting company in Nigeria, Kunle is no doubt one of the most influential people in the Nigerian sports industry today. However, the current CEO of Bet9ja betting company is Mr. Ayao Ojuroye and he’s different from the owner who is Kunle. Bet9ja like other betting companies in Nigeria is an online company that gives sports lovers in Nigeria the opportunity to place bets on various games and stand a chance to win cash if the bet is successful.
The Canada chapter didn’t launch Solanke. There’s no mythology to mine here—just a kid who moved countries, swapped accents, absorbed cultures, and didn’t flinch. There’s something quietly radical about that. Just sharp, self-aware evolution—scene by scene.
Ayo Solanke doesn’t just survive this high-stakes teen chaos—he detonates expectations from his very first scene. While the series itself splits audiences faster than a bluff gone wrong, Solanke’s character, Ryan Adebayo, is a wildcard worth watching. His performance doesn’t just anchor a slippery narrative—it elevates it. This chapter dissects how Ayo Solanke turned a supporting role into a slow-burn scene-stealer, all while the roulette wheel of Bet keeps spinning. According to Ayo Solanke in a behind-the-scenes featurette, Ryan was intentionally designed as “the one kid who didn’t want to play, but had to.” That tension between survival and complicity is where the performance lives. Solanke discusses how he pushed for less exposition and more ambiguity—fewer speeches, more loaded glances.
If you’re looking for something to confirm or deny how much Simon Barry’s ten-part series adheres to the source material or butchers it beyond all repair, sorry – you’re not going to find it here. It’s easy to categorize actors-turned-directors as restless or ambitious. In Solanke’s case, it reads more like necessity.
Yumeko immediately challenges Mary to a match; the game chosen is “Skirmish,” where each player plays one of their seven cards, and the high card in that round wins. Yumeko notices that Mary is cheating, and only wants to play fair. But, as we see in flashbacks to her childhood in Japan, winning money isn’t the only reason why she’s at St. Dominic’s; she wants revenge. Ayo Solanke stops by to chat about his breakout role as Ryan in the hit Netflix series BET. Ayo shares how his life has changed since the show hit the global Top 10, what it was like stepping into a complex character, and how fans have connected with Ryan’s emotional journey. Ten episodes seems like a lot, arguably too many, but they’re all under 40 minutes and breeze by with so much going on, especially since the outcome of the games keeps upending the social dynamics and raising the stakes.
From the mixed reviews, it can be inferred that it is possible for the show to gather enough strength for some more seasons. Provided Netflix pays heed to the criticisms and stays true to the core concepts of the original manga while treating issues with care, all-out respect, and adaptation appropriateness. Yumeko becomes friends with Ryan (Ayo Solanke), who becomes a housepet after losing a round of cards to a council member named Mary (Eve Edwards). She also meets Michael (Hunter Cardinal), who refuses to participate in the wagering madness and encourages Yumeko to do the same. But gambling is the very reason why Yumeko is there; in fact, right after she meets her new roommate, she bets her $10,000 that she’ll willingly switch beds by the end of the day.
